Samanid Earthenware, determine one of the most Iranian art painting in early Islamic period. Change and Continuity in these motivies show that there are two differnts proceedings in Iranian art painting. In otherwise, there are Sasanid impact anf Soghd Culture that influenced on the motives and so, interaction of Islam culture and art that it formed and developed in this case. So far Iranian painting is rare evidence in early Islamic period in Iran, created motivs can be demonstrate as history of Iranian painting and it can be resolve in researches gap, approximatly. Thus, in this article attempted that pottery motivs Samanid studies as structure and concept and variable effective on the formation. Present research carry out by descriptive-analytic approach and documentary and meusum studies. In this paper tried that how were represent of samanids earthenware style? Whats of varieable impact on the miniature potteries? hus, in this article attempted that pottery motivs Samanid studies as structure and concept and variable effective on the formation. Present research carry out by descriptive-analytic approach and documentary and meusum studies. In this paper tried that how were represent of samanids earthenware style? Whats of varieable impact on the miniature potteries? Result of this research show that motifs despite being created in the third and fourth centuries of Islamic period. They reflect in some cases the characteristic traditional art of ancient Iranian time and also show sogdian paintings. in addition to that it has to be pointed out that the artists during samanids area were selecting many of their designs based on their national beliefs from Iranian designs but they didn't copy them totally but they modified them according Islamic culture. Result of this research show that motifs despite being created in the third and fourth centuries of Islamic period. They reflect in some cases the characteristic traditional art of ancient Iranian time and also show sogdian paintings. in addition to that it has to be pointed out that the artists during samanids area were selecting many of their designs based on their national beliefs from Iranian designs but they didn't copy them totally but they modified them according Islamic culture. hus, in this article attempted that pottery motivs Samanid studies as structure and concept and variable effective on the formation. Present research carry out by descriptive-analytic approach and documentary and meusum studies. In this paper tried that how were represent of samanids earthenware style? Whats of varieable impact on the miniature potteries? Result of this research show that motifs despite being created in the third and fourth centuries of Islamic period. They reflect in some cases the characteristic traditional art of ancient Iranian time and also show sogdian paintings. in addition to that it has to be pointed out that the artists during samanids area were selecting many of their designs based on their national beliefs from Iranian designs but they didn't copy them totally but they modified them according Islamic culture.
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(2019). Reading of Change and Continuty Concepts in Nishabour Earthenware motives Samanid Era. Journal of Visual and Applied Arts, 11(22), 85-103. doi: 10.30480/vaa.2019.1422.1172
MLA
. "Reading of Change and Continuty Concepts in Nishabour Earthenware motives Samanid Era", Journal of Visual and Applied Arts, 11, 22, 2019, 85-103. doi: 10.30480/vaa.2019.1422.1172
HARVARD
(2019). 'Reading of Change and Continuty Concepts in Nishabour Earthenware motives Samanid Era', Journal of Visual and Applied Arts, 11(22), pp. 85-103. doi: 10.30480/vaa.2019.1422.1172
CHICAGO
, "Reading of Change and Continuty Concepts in Nishabour Earthenware motives Samanid Era," Journal of Visual and Applied Arts, 11 22 (2019): 85-103, doi: 10.30480/vaa.2019.1422.1172
VANCOUVER
Reading of Change and Continuty Concepts in Nishabour Earthenware motives Samanid Era. Journal of Visual and Applied Arts, 2019; 11(22): 85-103. doi: 10.30480/vaa.2019.1422.1172
)