Document Type : Original Article
Authors
1 PhD Student: Islamic Art, Faculty of Industrial Arts, Tabriz University of Islamic Art, Tabriz, Iran
2 Faculty member of Tabriz University of Islamic Arts: Assistant Professor, Faculty of Industrial Arts, Tabriz University of Islamic Arts, Tabriz, Iran
Abstract
eaning in the contemporary world new performances by artists; It undergoes changes. The initial study of the works of the artists, Habib Moradi and Bassem Dahdouh, contains similarities in their apparent reading, and it seems that the frame or frame plays a key role in creating our apparent similarities between the artists' works. This element, as a small part of the image, does not imply any meaning by itself, but the way it is presented and present in a painting overshadows the overall meaning of the work and has the ability to change it. For this purpose, the selection of artists is occasional and the selection of works is purposeful and with the priority of having multiple frames in the paintings. The goal is to achieve the points of difference/commonality in the works introduced by the two artists from the perspective of Mikhebal's image ventricular approach. How and how to define frame and framework in the works of two artists and the interaction of frame/framework with the human body on meaning are the questions that were answered. This research is descriptive-analytical and comparative and the information is extracted in the form of a library with filing tools the mentioned artists have been interviewed in order to fill the study gap in this research. In the studies it was determined; Meaning in the works of two artists has a lot to do with how the frame is presented, and therefore the frame in the works of both artists is the center and the center of the work, with the difference that the pollinating property of meaning in art is layered and spiral, but in the works of Dahdouh The face is linear. According to Mieke Bal’s approach, the pollination of meaning in artists' works is as follows: In Moradi's works, the meaning of fluidity is in the form of a spiral, and in a nested and circular form, the meaning is transferred from one layer to another, but in the works of Dahduh, the meaning in the image travels and spreads along a horizontal line. In his art, Moradi uses the interference of frame within frame, and therefore the meaning in his works is multi-layered and is completed when passing from frame to frame. In both groups of artists' works, the reflective nature of the mirrors and the self-repetition of the frames according to the defined diagrams were observed. In all the introduced works, the human body is in the bond of a series of belongings and the frame and frame surround the body and give it a productive meaning. In one of the interpretations, the frame and frame in Moradi's works play the role of the power of reason as the heart of the image, and in the works of Dahduh, changing human thoughts is the way to her liberation.
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