نوع مقاله : مقاله پژوهشی
نویسنده
عضو هییت علمی گروه مجسمه سازی، دانشکده هنرهای تجسمی، دانشگاه هنر، تهران، ایران
چکیده
پژوهش حاضر به منظور بررسی تاثیرات مجسمه های شهری بر سلامت روان ساکنین یک شهر صورت گرفته است که برای این منظور آثار هنری واقع در تهران به عنوان نشانه های بازشناسی هویت فردی و شهری مطرح گشته اند تا شهر به مثابه یک نظام نشانه شناسی مورد مطالعه قرار گیرد. سوالهای مطرح شده در این پژوهش بدین شرح است: آیا جامعه زنان می تواند به کمک نشانه ها نصب شده در شهر به تصور واضحی از خود و جهان پیرامونش دست یابد؟هویت در فضای شهری چه تاثیری بر سلامت روان زنان دارد؟نتایج به دست آمده در این پژوهش که به شیوه کمی و کیفی صورت گرفته است، با تحلیل و توصیف از طریق دیدن نمونه ها و جمع آوری داده های بصری و جمع آوری داده های کمی با ابزار پرسشنامه در تحقیق میدانی، با بررسی آثار نصب شده در باغ موزه زندان قصر و مجموعه بوستانهای عباس آباد به عنوان نمونه های انتخابی، نشان می دهد که نقش اصلی آثار مجسمه واقع در شهر، هر کدام با رویکرد متفاوتشان، ارائه کردن یک هویت مشترک به ساکنانی متفرق است. این هویت در فضای شهری باعث ایجاد دلبستگی و خاطره ذهنی می شود که دستاوردش سلامت روان در جامعه است.
کلیدواژه‌ها
عنوان مقاله [English]
A Review on the Relationship of Identity & Urban Sculpture, & its effects on women mental Health of the cities
نویسنده [English]
- leila jouyandeh
Department of Sculpture, Fine Arts Department, Tehran University of Art
چکیده [English]
By collecting and reviewing quantitative data in this research, through 105 questionnaires in relation to the Qasr Prison Museum and 108 questionnaires related to the Abbas Abad Park Collection, and the results of this, it should be noted that the main role In readings of the city as a text, are the citizen’s readers of that city (specialy women). Therefore, if we consider the goal of the producting and creating of urban art, the excellence of living in the city we need to pay attention to the role of women and their place in the city and the signs of their living. and provide equal conditions for their presence in urban space .
This research has focused on the effects of urban sculpture on mental health of residences of a city specifically women, were investigated as artists and at the same time as the work of arts' addressees. In this regard, Tehran's sculpture was proposed as the impression of personal and urban identity recognition; in this way, the city as a semiotic system, always being written by its own citizens.
The proposed questions of the research are as follows: whether women can find out a clear picture of themselves and their environment by the presence of work arts (symbols) of the city or not? Whether these symbols can represent the women and their city or not? How is the effect of urban identity on mental health of the women?
The research is a descriptive and qualitative case study of arts work of Garden Qasr Prison Museum with a historical and cultural identity and Abbas Abad Parks Collection as the most popular place of Tehran. By collecting and reviewing quantitative data in this research, through 105 questionnaires in relation to the Qasr Prison Museum and 108 questionnaires related to the Abbas Abad Park Collection, and the results of this, it should be noted that the main role In readings of the city as a text, are the citizen’s readers of that city (specialy women). Therefore, if we consider the goal of the producting and creating of urban art, the excellence of living in the city we need to pay attention to the role of women and their place in the city and the signs of their living. And provide equal conditions for their presence in urban space. So, no doubt, the artworks installed in the city have a role more important than creating of the Stetique.
The results will proof that the main role of sculptures of the city with their distinctive approaches, offers a common identity to the women which in turn will cause dependency and subjective memory that results in creating security , peace and mental health of the society.
کلیدواژه‌ها [English]
- Urban sculpture Works
- Identity
- Mental Health
- Garden Qasr Prison Museum
- Abbas Abad Parks Collection
)